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* founding directors
(as of Mockingbird's incorporation on March 26, 1997) ^ Past President of the Board
Please
note that the Foundation is all-volunteer, including the Board of Directors, and
is not supported by any paid staff or employees. There are no salaries,
honoraria, or any other forms of compensation.
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Our Mission:
The Mockingbird Foundation, Inc. is a non-profit organization of Phish fans, founded
to raise money for charity. The original project
was the compilation of the most factually accurate and delightfully literary
book on Phish's music available, with contributions from as many fans as possible.
The Foundation now produces a wider range of resources and diversions
for fans, including a Phish cover album. No member
or volunteer benefits financially from the Foundation in any way, and
all proceeds from Mockingbird projects are donated
to tax-exempt organizations. The Foundation's primary purpose is charitable,
out of love for and thanks to Phish for their inspiring music.
The Mockingbird Foundation is an unconventional organization: it has
no salaries, paid staff, office space, or endowment -- thus distributing
all possible funds to charity. It exists almost
exlcusively online, using the Internet to avoid travel and other expenses
typically associated with grant-making entities. The Foundation has earned
501(c)3 tax-exempt status from Internal Revenue Service, thus making donations
tax-deductible. Such contributions to the Foundation
are applied directly to the next round of regular grants in the
funding cycle.
Outreach:
"Mockingbirds are the true artists of the bird kingdom. Which is to say, although they're born with a song of their own, an innate riff that happens to be one of the most versatile of all ornithological expressions, mockingbirds aren't content to merely play the hand that is dealt them.
Like all artists, they are out to rearrange reality. Innovative, willful, daring, not bound by the rules to which others may blindly adhere, the mockingbird collects snatches of birdsong from this tree and that field, appropriates them, places them in new and unexpected contexts, recreates the world from the world. For example, a mockingbird in South Carolina was heard to blend the songs of thirty-two different kinds of birds into a ten-minute performance, a virtuoso display that served no practical purpose, falling, therefore, into the realm of pure art."
- from Skinny Legs and All by Tom Robbins
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